![]() ![]() Her talents gained traction amongst the highest ranks of society. Having an eye for rendering the delicate qualities of others around had fostered the perfect foundation for van Hemessen to become a portrait artist. Although it was her father who initially inspired her artistic curiosity, Caterina van Hemessen was interested in other painterly topics. Well-known for his Mannerist style, van Hemessen focused primarily on religious subjects. Her father, Jan Sanders van Hemsessen, was a distinguished painter in Antwerp. This is the case for Catharina van Hemessen, a pivotal artist of the 16th-century. Throughout the late-middle ages and into the Renaissance and Baroque periods, women artists were most frequently the daughters of artists. Stay tuned to discover the incredible history of girls, and be sure to visit the complete exhibition to discover the integral role girls have played since the dawn of time.Caterina van Hemessen, Self-Portrait, 1548 © Kunstmuseum Basel Each week during 2017, we explore a historical object and its relation to girls’ history. This post is part of our 52 Objects in the History of Girlhood exhibition. Her portrait of Queen Elisabeth of Valois was copied many times, and her successes opened the doors for more women to become career artists, such as Lavinia Fontana and Irene di Spilimbergo. Though she never sold a painting during her lifetime, Sofonisba influenced several artists and her work lives on as a remarkable example of women’s contributions to the Renaissance. “To Sofonisba, my wife, who is recorded among the illustrious women of the world, outstanding in portraying the images of man.” Orazio inscribed her tomb with the epitaph, Sofonisba died in 1625 at the age of 93, leaving only her paintings as her heirs. Sofonisba painted freely, discussed the arts with her colleagues, and taught aspiring artists – including the young Flemish painted Anthony van Dyck, who claimed his conversations with her taught him more about the “true principles” of painting than anyone else in his life. They lived together in Genoa for the rest of her life, living off their joint fortune. In 1581, she traveled to Genoa with Captain Orazio Lomellini – whom she fell in love with and married in Pisa. Sofonisba continued painting and tutoring in Spain and, later, Palermo.Īfter her husband’s death, Sofonisba decided to travel. That year, she married a Sicilian nobleman and they lived together in Spain under a royal pension. Isabel was also her pupil, and Sofonisba resided at court until 1573. Only a few years before those lines, Sofonisba had become the court painter and lady-in-waiting for the queen of Spain, Isabel de Valois. “has astonished every prince and wise man in all of Europe by means of her paintings, which are all portraits, so like they seem to conform to nature itself.” In Lomazzo’s Libro de Sogni (1564), he imagines da Vinci stating that Sofonisba Her works were recognized by Michelangelo and Vasari. The images suggest piety, a virtue often sought in young women, as can be seen in her self-portrait above. Many of Sofonisba’s early paintings were self-portraits, where she depicted herself as a woman of virtue (“virgo”) in simple dress and modesty. Under his tutelage, she experimented with new kinds of portraiture, posing her subjects informally or engaged in activities. By the age of 14, Sofonisba was so talented that her father sent her and her sister, Elena, to study with Bernardino Campi, a religious and portrait painter. Alongside her sisters, she became a painter. Her father was a minor noble, and encouraged her to develop her talents in the arts. Sofonisba was born in Cremona, Italy, in 1532. ![]() One of the painters who used art to educate was Sofonisba Anguissola – a woman. It helped to guide a largely illiterate population with spiritual guidance and new ideas. Yet women were a huge part of the Renaissance – and traditional art history has yet to do them justice.ĭuring the Renaissance, art was a social necessity. ![]() When you think of Renaissance painters, who do you name? Probably Raphael, Michelangelo, da Vinci. Self-portrait at the easel, by Sofonisba Anguissola, 1556. ![]()
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